Showing posts with label AlphaBooks. Show all posts
Showing posts with label AlphaBooks. Show all posts

Sunday, November 11, 2012

Z is for Zaphod Beeblebrox

AlphaBooks has finally come to an end! *sob* And I'm sure I won't be the only one to ride into the sunset with Zaphod Beeblebrox, the two-headed (and also tow-headed), three-armed, flashy-dressing President of the Galaxy in Douglas Adams' The Hitchhiker's Guide to the Galaxy. 

In this scene, the maniacal Zaphod makes his entrance on a semicircular leather sofa floating within a 20-foot transparent globe. In case you can't make out the text: "His fair tousled hair stuck out in random directions, his blue eyes glinted with something completely unidentifiable, and his chins were almost always unshaven."

I won't say what happens next, because I hate spoilers.

But for those of you who have read the book, you'll know why the page number was particularly pleasing to me. ;-)

Acrylic on text scanned from a 1979 Pocket Paperback, ~ 7" x 4.5" In addition to the "zequined" jacket, I attempted to manhandle his two right arms into something resembling a zed.

And with that, AlphaBooks is over! Goodbye, & thanks for all the fish! I still hope to fill in a few gaps to complete the alphabet, but you can see what I've done so far here. And some of us AlphaBooks regulars are currently planning a new project to begin in the new year. In the meantime I have a personal series underway that I'll be posting soon, so stay tuned!



Monday, November 5, 2012

Y is for You!

My penultimate entry for AlphaBooks is a bit of a departure from the usual format. It comes from Italo Calvino's If on a winter's night a traveler, one of my all-time favorite books. In essence it is a book about books, about reading, about the way fiction intertwines with life. Every other chapter in the book is written in the second person, making you, the reader, one of the main characters in the novel.

Once I hit on this concept, I was stumped about how to illustrate it, until it occurred to me to make the book itself the focus, essentially a reader's-eye view. It may take a little imagination to see a "Y" shape in the hand position, but it's the best I could do!

Acrylic on scanned image of a 1979 Harcourt paperback edition, ~ 11" x 8"

Monday, October 29, 2012

X is for Xaphania

This week's entry for AlphaBooks is the leader of the rebel angels, from The Amber Spyglass by Philip Pullman. I love Pullman's trilogy (His Dark Materials-- my series "Her Odd Materials" is a tribute of sorts). I'm especially grateful that he created an "X" character so I could squeeze this in before AlphaBooks ends! Xaphania is both ancient & young, radiant & forbidding... she plays a pivotal role in the book, but it would be something of a spoiler to specify.

I have to say this one was quite a challenge, & I'm not really happy with it, but at least I tried to work in a few "X"s with the wing forms & crossed limbs & digits. And yes, in case you were wondering, all angels appear naked in this book.

Acrylic on text ~5" x 8" with some Photoshopical tweakings. The text is mostly obliterated, but here's a pinch of it that I particularly like:

And if you help everyone else in your worlds to do that, by helping them to learn and understand about themselves and each other and the way everything works, and by showing them how to be kind instead of cruel, and patient instead of hasty, and cheerful instead of surly, and above all how to keep their minds open and free and curious… 

Monday, October 22, 2012

W is for Walter Mitty

This week's entry for AlphaBooks & IF is the protagonist of James Thurber's classic short story, The Secret Life of Walter Mitty. The quintessential daydreamer, Walter goes about his daily tasks in a mild-mannered, dutiful, non-confrontational way, but in his head he is the bold, dashing hero of countless exciting adventures.

I've always loved this story, despite its mildly misogynistic slant, because it captures so well the double life (or multiple lives, really!) of the daydreamer. And yes, I am one of that breed, in case you couldn't guess. Not quite in Walter Mitty mode, but still I'm a firm believer that dreams of all sorts make any life more interesting!

Acrylic on text imported from Zoëtrope, where you can read the entire story online, ~5" x 8"

I can't believe we're so near to the end of the alphabet! I wonder what will be next. Here are all my entries to date-- there are still a few gaps I hope to fill at some point.

Monday, October 15, 2012

V is for Violet Beauregarde

This week's entry for AlphaBooks is one of the anti-heroes of Roald Dahl's Charlie and the Chocolate Factory. In this scene her gum-chewing jones becomes her undoing as she greedily chaws down on an experimental product, & the blueberry flavor turns out to have a serious glitch...

No, I didn't do this in blueberry ink! Once was more than enough for that experiment. This time I used artificial blueberry in the form of acrylic. ;-)

I had a hard time figuring out how to work in the "V" until I realized I could just play up one garment feature. Do you see it?



Sunday, October 7, 2012

U is for Urquhart McVarish

This week's entry for AlphaBeasts stumped me at first-- not too many "U" characters out there, & I have a personal rule for this series that I'm only going to do books that I've read & enjoyed. But then I remembered Robertson Davies' The Rebel Angels, featuring the devious Urquhart McVarish, manuscript thief & all-around nasty schemer. The book is a dark take on academic life, part of a trilogy on themes of art, music & letters, religion, skepticism & tarot-reading, along with many other philosophical musings. I found it quite entertaining, although my favorite Davies novel remains Fifth Business.

In this scene Urky has stolen a manuscript by Rabelais & I tried to suggest the master's signature, very loosely based on a letter in which he signs his name in the Latin form, Rabelesus (obligingly including a "u"), but please don't try to make sense of my Latinoid scribbles otherwise! Also, I couldn't really remember Urky's physical description, so forgive me if I'm way off-- I just didn't have time to reread the whole book.

I did my best to make the whole figure (including ms.) form a certain letter, though... do "u" see it? ;-)

Acrylic on text scanned from a 1983 Penguin paperback.

Monday, October 1, 2012

T is for Toad

If you are here from Illustration Friday, you may not know about AlphaBooks, the group drawing project run by Rich Barrett, Andrew Neal & Ben Towle.

AlphaBooks is the name of the game. We will be drawing ficitonal characters from books every week - one for each letter of the alphabet. On the first day (Monday, May 21), everyone will draw characters whose names start with the letter “A.”  The following monday, we’ll draw characters whose names start with the letter “B.” And so on! 


If you'd like to submit your own artwork to the project, please join us! It's loads of fun. You can jump in late with any letter you like so long as you don't go ahead of the game.

My entry for AlphaBooks this week is one of the main characters in Kenneth Grahame's The Wind in the Willows. This is a classic children's tale that tells of the gentle, rural pursuits of Badger, Mole & Ratty... & then there's Mr. Toad. A bit of a spoiled-frat-boy type, he's obsessed with the latest must-have technology, which at the time was the motorcar. His headstrong ways lead to all sorts of misadventures, but his loyal, patient friends always save the day.

Acrylic on text scanned from a 1969 Yearling paperback, ~ 5.5"x8.5" Do you see all the "T"s?






Monday, September 17, 2012

R is for Riddley Walker

This week's entry for AlphaBooks is the eponymous hero of Russell Hoban's Riddley Walker.

This is a highly original book, not so much for its post-apocalyptic plot, but for its language, a unique dialect (& spelling) of English that takes a while to get used to, but once you do, it works its way into your brain & never quite lets go! Many many years after my first reading of Riddley, there are phrases from the book that still pop into my head at unexpected moments. (Arga warga!)

That first reading was a magical thing, by the way: I read the entire book by candlelight during a power outage caused by a hurricane. I'm sure the serendipitous setting contributed to the power Riddley holds over me, but even if you read it on a Kindle in a fluorescent-lit room, I think you'll still find the mysterious, smoky, quasi-medieval world Hoban creates to be an absorbing place to spend your time.

Sunday, September 2, 2012

P is for Percival Bartlebooth

I'm back in the AlphaBooks game after yet another lapse. Apologies to all for my recent spottiness-- I will fill in the gaps one of these days! This week's character is the somewhat maddening figure at the heart of Georges Perec's Life A User's Manual. 

I have a weakness for novels that knit together many concurrent threads of a certain time & place, capturing seemingly infinite subtleties from multiple angles, & Life is like that-- & then some. A puzzle of a book in many respects, it tells the story of an apartment block in Paris, including all of its rooms & residents, & though the plot doesn't proceed in the usual chronological fashion, it has a logic all its own.

Today's character, Percival Bartlebooth, can't decide what to do with his life & wealth until he hits on a curious & deliberately useless scheme: he will first spend 10 years learning to paint, then travel the world for 20 years painting watercolors at every port, which he will have converted to jigsaw puzzles by his neighbor in the apartment block. Then he will spend the next 20 years working the puzzles, removing the images from their backing, returning to the place where he painted the original painting, & washing off the paint to reveal once again the blank watercolor paper.

His odd & obsessive life story is but one of many that weave through this prodigiously inventive book. I urge you to give it a read. It's certainly not for everyone, but in me it provokes a very particular sort of mad fascination.

Acrylic on reversed jigsaw puzzle pieces & text (scanned from a 1987 Godine paperback, translation by David Bellos-- a revised edition is now available) ~6"x9"

Sunday, August 19, 2012

N is for Nemo

This week's entry for AlphaBooks is a little fellow with big dreams: Nemo, the star of Winsor McCay's Little Nemo in Slumberland. Yes, I know this is stretching the book definition a bit, but I first encountered Nemo in a Dover book (from which I scanned these panels), so there you go. It might have been more kosher to do Captain Nemo, but I'm not nearly as fond of him as I am of this guy. Nemo truly has magnificent, bizarre, dramatic, one might even say cinematic, dreams, & McCay makes them all look spectacular.

I'm afraid I rather obliterated McCay's gorgeous scenery here, but I was aiming for an effect of the dream fading as Nemo awoke. And of course I completely changed the small panel below (although I left the original text).
His bed doesn't really look like an "N" (though if it did it would surely explain his troubled sleep)-- nor was he quite so N-ishly contorted himself in the original panel. I threw in a few more dreamy "N"s for good measure.

Acrylic on 2 panels of a page from the aforementioned Dover book,
~4" x 9" (The book is out of print, but apparently still available, by the way!)

Tuesday, August 14, 2012

M is for Mathemagician

A thousand apologies for the long silence, folks! It has been a hectic Summer... I missed last week's AlphaBooks entirely, & I'm late with this week's, but I hope to be back on schedule by next week. Always depending on what free-lancing & family life throw at me in the next couple of months, I do plan to fill in the gaps (F & L) before the alphabet ends!

The Mathemagician is the number-obsessed ruler of Digitopolis in Norton Juster's The Phantom Tollbooth. I first found this book in the school library in 5th grade, & I remember very distinctly the sensation of joyful recognition I felt after reading the first page or two. I knew at once that this was going to be my kind of book: full of deft wordplay & deep philosophical musings, playful & serious at the same time. It didn't let me down!

Perhaps it would have been more appropriate for this alphabet-oriented project if I'd chosen to illustrate the Mathemagician's estranged brother, King Azaz the Unabridged, who is as obsessed with words as his sibling is with numbers. But A had to be Alice... A will always be Alice for me...

I wish I had had more time to do this character justice! I was so rushed I almost forgot to work some stealthy "M"s in there. Of course there are some in his robe & hat, but do you see the others?

Thanks to my math-whiz son, James, for providing the actual equations & formulae for the robe. I hope I didn't mangle them too badly in my haste. There are also a few silly word-puzzle ones thrown in there, just for fun.

Acrylic on text scanned from this modern paperback version, ~5.5" x 8.5" I couldn't find our original copy so I had to buy a new one! Yet another reason for the delayed post...

Edit: Once again, I seem to have mysteriously illustrated the Illustration Friday topic before it was announced! Although I had some real interest in math as a child, most of my math teachers were nothing like the Mathemagician, & I found the classes dreary & repetitive. But I had a great geometry teacher in 10th grade, Helen Compton (who went on to teach at the NC School for Science & Math). Thanks to her enthusiasm-reboot, I got as far as college calculus, which I enjoyed despite the endless homework because it really seemed to explain things, but after that class other interests prevailed. I still have a sort of sideways fascination with math... especially stuff like fractals & chaos theory, studies that apply to patterns in nature... but I'm far too lazy to get back into it in any serious way. I'll leave that to James!

Monday, July 30, 2012

K is for Kinbote

This week's entry for AlphaBooks is the amorphous co-hero/co-author(?) of Vladimir Nabokov's Pale Fire. Ostensibly, Kinbote provides academic analysis of a 999-line poem, also called "Pale Fire," written by his neighbor, John Shade, & included in the text. But the book is a curious knotwork of digressions, mysterious recollections, mistaken identities, unexpected connections, and misleading interjections-- it is utterly engrossing & often hilarious, but difficult to describe, & equally challenging to illustrate!

For a while I was completely puzzled over how to portray Kinbote. But then it dawned on me that, according to Kinbote, Shade's manuscript is written entirely on a series of index cards, so I decided to base the composition on 5 of these... I found some blank cards in an old recipe box, wrote out a few samples from the poem, & scanned, reduced & printed them. Then I scanned a page from the book, sketched out the face of Kinbote as I imagined him, & painted the features onto the cards in acrylics, then collaged the cards to the text in the shape of a "K," & mounted the whole on the cover of an old stenographer's notebook, ~6"x9".

Whew! I think this was my most complicated & time-consuming AlphaBooks character yet! But I do like the way the incomplete portrait echoes the uncertainty of Kinbote's identity, & the way the notebooks unraveling binding seems to continue K's beard...

p.s. While painting this I thoroughly enjoyed listening to an Audiobook version of Pale Fire, via Audible, narrated by Marc Vietor. I don't always like multi-voiced/deliberately-accented readings, but in this case it seemed quite appropriate, & well done. But I hasten to add that it's not a substitute for the printed version-- you will want to refer back & forth from poem to commentary, which isn't really possible in audio. What would be really amazing would be an iPad app with both text & audio, fully linked & annotated. Hear that, app developers? ;-)

Sunday, July 22, 2012

J is for Jumblies

This week's entry for AlphaBooks (& Illustration Friday) is not one character but many: the Jumblies, from Edward Lear's Nonsense Songs and Stories. Some might see the poem as pure silliness, but like much of Lear's work it carries undertones of deeper meaning-- I think it's a wonderful anthem for dreamers & the stubbornly impractical.

Green of head, blue of hand, & intrepid of spirit, these rare & dauntless creatures set sail in their sieve, ignoring a chorus of naysayers. They overcome difficult obstacles in inventive ways, find adventure & delight, & eventually return in triumph. And they do it all in such exquisitely playful & lyrical verse! 

Edward Lear himself loved to travel, despite daunting challenges. He suffered all his life from epilepsy & serious depression, among other ailments, yet he relished exploring other counties, routinely walking many miles of difficult terrain in search of scenes to paint. He was also an accomplished wildlife painter who specialized in birds (particularly parrots), & of course his poems & their accompanying illustrations have brought giddy delight to generations of children-- & to adults who haven't lost their taste for inspired nonsense.

Acrylic on text scanned from a Dover edition of The Complete Nonsense of Edward Lear, ~5" x 7.5"

Do you see the "J"s?

Edit: For those of you who aren't familiar with this poem, here it is! Bon voyage!


The Jumblies
I
They went to sea in a Sieve, they did,
  In a Sieve they went to sea:
In spite of all their friends could say,
On a winter's morn, on a stormy day,
  In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, 'You'll all be drowned!'
They called aloud, 'Our Sieve ain't big,
But we don't care a button! we don't care a fig!
  In a Sieve we'll go to sea!'
      Far and few, far and few,
            Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
            And they went to sea in a Sieve.

 II
They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
  With only a beautiful pea-green veil
Tied with a riband by way of a sail,
  To a small tobacco-pipe mast;
And every one said, who saw them go,
'O won't they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it's extremely wrong
  In a Sieve to sail so fast!'
      Far and few, far and few,
            Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
            And they went to sea in a Sieve.

 III
The water it soon came in, it did,
  The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
  And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, 'How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
  While round in our Sieve we spin!'
      Far and few, far and few,
            Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
            And they went to sea in a Sieve.

 IV
And all night long they sailed away;
  And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
  In the shade of the mountains brown.
'O Timballo! How happy we are,
When we live in a Sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
  In the shade of the mountains brown!'
      Far and few, far and few,
            Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
            And they went to sea in a Sieve.

 V
They sailed to the Western Sea, they did,
  To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
  And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
  And no end of Stilton Cheese.
      Far and few, far and few,
            Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
            And they went to sea in a Sieve.

 VI
And in twenty years they all came back,
  In twenty years or more,
And every one said, 'How tall they've grown!
For they've been to the Lakes, and the Torrible Zone,
  And the hills of the Chankly Bore!'
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
  To the hills of the Chankly Bore!'
      Far and few, far and few,
            Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
            And they went to sea in a Sieve.


Monday, July 16, 2012

I is for Ignatius

Ignatius J. Reilly, that is, hero/antihero of the hilarious A Confederacy of Dunces by John Kennedy Toole. Ignatius is insanely self-righteous, dishonest, filthy, impatient, gluttonous, egomaniacal, loud and lazy. And he's even mean to his mother. And yet, he possesses such a singular personality and voice (something like a cross between Don Quixote and Gargantua) that he manages to win a surprising amount of sympathy as he attempts to reconfigure the world according to his own peculiar standards. Long may he wield the avenging sword of taste & decency! Acrylic on text scanned from a Grove Press paperback, ~6"x 8.5"

Sunday, July 8, 2012

H is for Harold

This week's entry for AlphaBooks is a fellow who inspired continual torments of envy when I first encountered him as a child. Harold's purple crayon enables him to create whatever he can imagine, & he inhabits his drawings as real environments. I longed fiercely for this magical ability when I was little (& still feel residual pangs now & then, to be honest!) but I've since come to understand that in a sense, all artists live at least part of their lives in the imaginary worlds they create. I'm sure that's one of the reasons we do what we do!

I still love Crockett Johnson's Harold and the Purple Crayon. It is a perfect, simple, brilliant little gem of a book. The art is so pure that it made me a little sick to interpret Harold in my own style, much like the way I felt when Hergé's ligne claire was mangled into 3-D/motion-capture for the recent Tintin movie... (shudder)... 

So Harold, I owe you two heartfelt apologies. For my endless daydreams of getting hold of your magic crayon when I was little, & for messing with your gorgeous clean lines today. Please forgive me!

Acrylic on text scanned from Harold & an ad for Milton Bradley crayons scanned from Primary Education magazine, January 1923, ~6"x3.3"

Oh yes, about the "H"s-- this one is rather like those brain-teasers where you have to find all the overlapping squares in a geometric drawing. You have to imagine some lines out of the way. And in this case, imagine one line segment in. ;-) (Confession-- even I didn't bother to count them!)

Monday, July 2, 2012

G is for Gregor Samsa

Sorry for the long absence, folks-- a family emergency and major book deadline led me on a not-so-merry waltz for the last week or so. Whew! Luckily everyone came out of it alive & well, except for my poor neglected Oddments. I'll try to catch up with the missing AlphaBooks, but for now I'm jumping on to this week's model. Gregor Samsa is the protagonist of Franz Kafka's novella, The Metamorphosis. The poor fellow wakes up one morning to find himself transformed into a hideous insectoid vermin. The ensuing events make my crazy week seem comparatively benign!

I couldn't find my copy of The Metamorphosis, nor did I have time to hit up the library or bookstore, so I was delighted to find the full text on Project Gutenberg. I printed out the opening passages in book-esque form, (~5"x8") & took it from there with the usual acrylic assault.

Do you see the big G? There are a few more tossed in for good measure.

Sunday, June 17, 2012

E is for Eeyore

This week's character for AlphaBooks is the ever-despondent Eeyore, from A.A. Milne's Winnie-the-Pooh books. The text selection is from Chapter One of The House At Pooh Corner, & features the depressive donkey struggling mightily to simulate optimism.

I had to twist the poor fellow around quite a bit to form any semblance of an "E"-- do you see it?-- but he seems to be bearing it bravely with only a few deep sighs & doleful glances.

You might find more "E"s here & there if you look closely. And if you are flaky enough to count Morse code . . . . . . . there are lots of 'em! ;-)

Acrylic on text scanned from a 1988 E.P. Dutton edition, with some PS tinkering, ~5"x7".

p.s. Did you know that the Pooh stories were based on real toys owned by the real Christopher Robin Milne?

Monday, June 11, 2012

D is for Don Quixote

This week's entry for AlphaBooks is Don Quixote, the delightfully eccentric knight from the eponymous novel by Miguel de Cervantes. Not only was this one of the world's first novels, it occurs to me that it may also be the first recorded example of medieval cosplay.

I love this passage near the beginning where Cervantes describes the Don's descent into madness due to excessive book consumption. "...and so from little sleep and much reading, his brain dried up and he lost his wits." Let this be a lesson to you, readers! ;-)

Acrylic on text scanned from 1976 Penguin Classics edition, translation by J.M.Cohen, ~4.5"x7.5"

Click to see all the sneaky D's!

Also folks, don't miss the giveaway drawing! Entries end at midnight on 12 July!

Sunday, June 3, 2012

C is for Charlotte

This week's entry for AlphaBooks is everyone's favorite spider, Charlotte (from E.B.White's Charlotte's Web.) I've always been fairly severely arachnophobic, yet I still fell utterly in love with this character. She is one admirable arachnid.

Sadly, I don't feel this painting does her justice, but I've gone completely cross-eyed putting highlights on all those tiny dewdrops, so I give up!!

Acrylic on text scanned from a hardbound edition of uncertain date-- 1962 is my best guess-- with Photoshopical adjustments, ~ 5"x8"

p.s. I did try to throw in a few "C"s-- some clearer than others-- how many do u C?

Sunday, May 27, 2012

B is for Bloom

Continuing the AlphaBooks project, another of my very favorite books: James Joyce's Ulysses. This passage is from Chapter 17, Ithaca. The entire chapter is in the form of a scholarly catechism. It's that sort of playful, inventive use of language that makes me so crazy about this book. You might say it's a grown-up version of Carroll's wordplay in Alice. Oh, I could go on & on about it, but if you've read it, you already know, & if you haven't, just read it & find out, okay? :-)

In this scene Bloom discovers that he has forgotten his key & decides to scale a fence to get into his house without waking his wife. I had to contort poor Bloom quite a bit to make him into an admittedly  wonky "B". But I imagine he had to contort himself too, to get over that railing!

Acrylic on text scanned from a 1961 Vintage edition, with a few Photoshopical interventions, ~8"x 8"

p.s My Bloom was loosely inspired by Joyce's own sketch.