This week's entry for AlphaBooks is the amorphous co-hero/co-author(?) of Vladimir Nabokov's Pale Fire. Ostensibly, Kinbote provides academic analysis of a 999-line poem, also called "Pale Fire," written by his neighbor, John Shade, & included in the text. But the book is a curious knotwork of digressions, mysterious recollections, mistaken identities, unexpected connections, and misleading interjections-- it is utterly engrossing & often hilarious, but difficult to describe, & equally challenging to illustrate!
For a while I was completely puzzled over how to portray Kinbote. But then it dawned on me that, according to Kinbote, Shade's manuscript is written entirely on a series of index cards, so I decided to base the composition on 5 of these... I found some blank cards in an old recipe box, wrote out a few samples from the poem, & scanned, reduced & printed them. Then I scanned a page from the book, sketched out the face of Kinbote as I imagined him, & painted the features onto the cards in acrylics, then collaged the cards to the text in the shape of a "K," & mounted the whole on the cover of an old stenographer's notebook, ~6"x9".
Whew! I think this was my most complicated & time-consuming AlphaBooks character yet! But I do like the way the incomplete portrait echoes the uncertainty of Kinbote's identity, & the way the notebooks unraveling binding seems to continue K's beard...
p.s. While painting this I thoroughly enjoyed listening to an Audiobook version of Pale Fire, via Audible, narrated by Marc Vietor. I don't always like multi-voiced/deliberately-accented readings, but in this case it seemed quite appropriate, & well done. But I hasten to add that it's not a substitute for the printed version-- you will want to refer back & forth from poem to commentary, which isn't really possible in audio. What would be really amazing would be an iPad app with both text & audio, fully linked & annotated. Hear that, app developers? ;-)
Monday, July 30, 2012
K is for Kinbote
Labels:
Acrylic,
AlphaBooks,
Kinbote,
Leah Palmer Preiss,
Nabokov,
Pale Fire
Sunday, July 22, 2012
J is for Jumblies
This week's entry for AlphaBooks (& Illustration Friday) is not one character but many: the Jumblies, from Edward Lear's Nonsense Songs and Stories. Some might see the poem as pure silliness, but like much of Lear's work it carries undertones of deeper meaning-- I think it's a wonderful anthem for dreamers & the stubbornly impractical.
Green of head, blue of hand, & intrepid of spirit, these rare & dauntless creatures set sail in their sieve, ignoring a chorus of naysayers. They overcome difficult obstacles in inventive ways, find adventure & delight, & eventually return in triumph. And they do it all in such exquisitely playful & lyrical verse!
Edward Lear himself loved to travel, despite daunting challenges. He suffered all his life from epilepsy & serious depression, among other ailments, yet he relished exploring other counties, routinely walking many miles of difficult terrain in search of scenes to paint. He was also an accomplished wildlife painter who specialized in birds (particularly parrots), & of course his poems & their accompanying illustrations have brought giddy delight to generations of children-- & to adults who haven't lost their taste for inspired nonsense.
Acrylic on text scanned from a Dover edition of The Complete Nonsense of Edward Lear, ~5" x 7.5"
Do you see the "J"s?
Edit: For those of you who aren't familiar with this poem, here it is! Bon voyage!
The Jumblies
I
They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter's morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, 'You'll all be drowned!'
They called aloud, 'Our Sieve ain't big,
But we don't care a button! we don't care a fig!
In a Sieve we'll go to sea!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
II
They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
To a small tobacco-pipe mast;
And every one said, who saw them go,
'O won't they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it's extremely wrong
In a Sieve to sail so fast!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
III
The water it soon came in, it did,
The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, 'How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
IV
And all night long they sailed away;
And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
In the shade of the mountains brown.
'O Timballo! How happy we are,
When we live in a Sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
In the shade of the mountains brown!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
V
They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
VI
And in twenty years they all came back,
In twenty years or more,
And every one said, 'How tall they've grown!
For they've been to the Lakes, and the Torrible Zone,
And the hills of the Chankly Bore!'
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
Green of head, blue of hand, & intrepid of spirit, these rare & dauntless creatures set sail in their sieve, ignoring a chorus of naysayers. They overcome difficult obstacles in inventive ways, find adventure & delight, & eventually return in triumph. And they do it all in such exquisitely playful & lyrical verse!
Edward Lear himself loved to travel, despite daunting challenges. He suffered all his life from epilepsy & serious depression, among other ailments, yet he relished exploring other counties, routinely walking many miles of difficult terrain in search of scenes to paint. He was also an accomplished wildlife painter who specialized in birds (particularly parrots), & of course his poems & their accompanying illustrations have brought giddy delight to generations of children-- & to adults who haven't lost their taste for inspired nonsense.
Acrylic on text scanned from a Dover edition of The Complete Nonsense of Edward Lear, ~5" x 7.5"
Do you see the "J"s?
Edit: For those of you who aren't familiar with this poem, here it is! Bon voyage!
The Jumblies
I
They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter's morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, 'You'll all be drowned!'
They called aloud, 'Our Sieve ain't big,
But we don't care a button! we don't care a fig!
In a Sieve we'll go to sea!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
II
They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
To a small tobacco-pipe mast;
And every one said, who saw them go,
'O won't they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it's extremely wrong
In a Sieve to sail so fast!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
III
The water it soon came in, it did,
The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, 'How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
IV
And all night long they sailed away;
And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
In the shade of the mountains brown.
'O Timballo! How happy we are,
When we live in a Sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
In the shade of the mountains brown!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
V
They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
VI
And in twenty years they all came back,
In twenty years or more,
And every one said, 'How tall they've grown!
For they've been to the Lakes, and the Torrible Zone,
And the hills of the Chankly Bore!'
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
Labels:
Acrylic,
AlphaBooks,
Carry,
Illustration Friday,
Leah Palmer Preiss
Monday, July 16, 2012
I is for Ignatius
Ignatius J. Reilly, that is, hero/antihero of the hilarious A Confederacy of Dunces by John Kennedy Toole. Ignatius is insanely self-righteous, dishonest, filthy, impatient, gluttonous, egomaniacal, loud and lazy. And he's even mean to his mother. And yet, he possesses such a singular personality and voice (something like a cross between Don Quixote and Gargantua) that he manages to win a surprising amount of sympathy as he attempts to reconfigure the world according to his own peculiar standards. Long may he wield the avenging sword of taste & decency!
Acrylic on text scanned from a Grove Press paperback, ~6"x 8.5"
Friday, July 13, 2012
Lost
Again, IF's timing seems almost uncanny. I'm feeling rather lost at the moment! With both my year of Oddments & my multiple-year children's book finished, my seemingly-eternal painting commission almost completed, & yet way too much assorted stuff going on in my life... I'm having a hard time staying pointed in one direction.
I'm actually used to getting lost, but mostly it happens on the road. Even though on paper I test well on spatial reasoning, & I can read a map relatively well, put me out in the real world & it is all too easy for me to get completely turned around. I think a big part of it is that I hate driving, so I tend to daydream in the car. Sometimes I blink out of some reverie & feel like I've suddenly landed on another planet, when probably I just missed a turn while thinking about some current obsession... I really should invest in a GPS. It would probably save time, gas & anxiety.
This is quite an old piece-- in fact, it was one of the first experimental pieces I did when I was exploring the paint-on-print style that is now my usual modus operandi. Looking back, that was another time when I felt very lost artistically (hence the subject!) but in fact I was finding myself in a big way. I guess I should take comfort in that!
Acrylic on text from The Automobile Green Book, 1921-- a fascinating document actually, detailing road trips around New England when road trips were a very different experience! ~5.5"x5.5"
I'm actually used to getting lost, but mostly it happens on the road. Even though on paper I test well on spatial reasoning, & I can read a map relatively well, put me out in the real world & it is all too easy for me to get completely turned around. I think a big part of it is that I hate driving, so I tend to daydream in the car. Sometimes I blink out of some reverie & feel like I've suddenly landed on another planet, when probably I just missed a turn while thinking about some current obsession... I really should invest in a GPS. It would probably save time, gas & anxiety.
This is quite an old piece-- in fact, it was one of the first experimental pieces I did when I was exploring the paint-on-print style that is now my usual modus operandi. Looking back, that was another time when I felt very lost artistically (hence the subject!) but in fact I was finding myself in a big way. I guess I should take comfort in that!
Acrylic on text from The Automobile Green Book, 1921-- a fascinating document actually, detailing road trips around New England when road trips were a very different experience! ~5.5"x5.5"
Labels:
Acrylic,
Experiment,
Illustration Friday,
Leah Palmer Preiss,
Lost,
Map,
Old
Sunday, July 8, 2012
H is for Harold
This week's entry for AlphaBooks is a fellow who inspired continual torments of envy when I first encountered him as a child. Harold's purple crayon enables him to create whatever he can imagine, & he inhabits his drawings as real environments. I longed fiercely for this magical ability when I was little (& still feel residual pangs now & then, to be honest!) but I've since come to understand that in a sense, all artists live at least part of their lives in the imaginary worlds they create. I'm sure that's one of the reasons we do what we do!
I still love Crockett Johnson's Harold and the Purple Crayon. It is a perfect, simple, brilliant little gem of a book. The art is so pure that it made me a little sick to interpret Harold in my own style, much like the way I felt when Hergé's ligne claire was mangled into 3-D/motion-capture for the recent Tintin movie... (shudder)...
So Harold, I owe you two heartfelt apologies. For my endless daydreams of getting hold of your magic crayon when I was little, & for messing with your gorgeous clean lines today. Please forgive me!
Acrylic on text scanned from Harold & an ad for Milton Bradley crayons scanned from Primary Education magazine, January 1923, ~6"x3.3"
Oh yes, about the "H"s-- this one is rather like those brain-teasers where you have to find all the overlapping squares in a geometric drawing. You have to imagine some lines out of the way. And in this case, imagine one line segment in. ;-) (Confession-- even I didn't bother to count them!)
I still love Crockett Johnson's Harold and the Purple Crayon. It is a perfect, simple, brilliant little gem of a book. The art is so pure that it made me a little sick to interpret Harold in my own style, much like the way I felt when Hergé's ligne claire was mangled into 3-D/motion-capture for the recent Tintin movie... (shudder)...
So Harold, I owe you two heartfelt apologies. For my endless daydreams of getting hold of your magic crayon when I was little, & for messing with your gorgeous clean lines today. Please forgive me!
Acrylic on text scanned from Harold & an ad for Milton Bradley crayons scanned from Primary Education magazine, January 1923, ~6"x3.3"
Oh yes, about the "H"s-- this one is rather like those brain-teasers where you have to find all the overlapping squares in a geometric drawing. You have to imagine some lines out of the way. And in this case, imagine one line segment in. ;-) (Confession-- even I didn't bother to count them!)
Monday, July 2, 2012
G is for Gregor Samsa
Sorry for the long absence, folks-- a family emergency and major book deadline led me on a not-so-merry waltz for the last week or so. Whew! Luckily everyone came out of it alive & well, except for my poor neglected Oddments. I'll try to catch up with the missing AlphaBooks, but for now I'm jumping on to this week's model. Gregor Samsa is the protagonist of Franz Kafka's novella, The Metamorphosis. The poor fellow wakes up one morning to find himself transformed into a hideous insectoid vermin. The ensuing events make my crazy week seem comparatively benign!
I couldn't find my copy of The Metamorphosis, nor did I have time to hit up the library or bookstore, so I was delighted to find the full text on Project Gutenberg. I printed out the opening passages in book-esque form, (~5"x8") & took it from there with the usual acrylic assault.
Do you see the big G? There are a few more tossed in for good measure.
I couldn't find my copy of The Metamorphosis, nor did I have time to hit up the library or bookstore, so I was delighted to find the full text on Project Gutenberg. I printed out the opening passages in book-esque form, (~5"x8") & took it from there with the usual acrylic assault.
Do you see the big G? There are a few more tossed in for good measure.
Sunday, June 17, 2012
E is for Eeyore
I had to twist the poor fellow around quite a bit to form any semblance of an "E"-- do you see it?-- but he seems to be bearing it bravely with only a few deep sighs & doleful glances.
You might find more "E"s here & there if you look closely. And if you are flaky enough to count Morse code . . . . . . . there are lots of 'em! ;-)
Acrylic on text scanned from a 1988 E.P. Dutton edition, with some PS tinkering, ~5"x7".
p.s. Did you know that the Pooh stories were based on real toys owned by the real Christopher Robin Milne?
Wednesday, June 13, 2012
Sweeps!
1st Prize: Jim Doran
2nd: dosankodebbie
3rd: Creations By Mit
Please e-mail me (via my profile) with your mailing address & let me know which oddment print you would prefer. :-)
(All entries were written on slips of paper, folded up, & picked out of a paper lunch bag by my son.)
My heartfelt thanks to all who entered, & all who have followed, commented, & visited Oddments during the first year! It has been so much fun getting to know you all.
p.s. About the art: okay, this wasn't technically a sweepstakes, but hey, it's close enough for Oddments. :-) In fact, I just found out that there is something called an odd entry sweepstakes. Hmmm.
I sketched out this oddment a good while ago for IF's prompt "Swept," but something came up & I couldn't finish at the time, so she has been patiently waiting in the wings for her turn in the spotlight. And now it turns out that she's so shy, she's trying to sweep it up!
Photoshop with text from a vintage dictionary-- I've forgotten which one I used.
Labels:
Giveaway,
Illustration Friday,
Leah Palmer Preiss,
Photoshop,
Swept,
Winners
Monday, June 11, 2012
D is for Don Quixote
This week's entry for AlphaBooks is Don Quixote, the delightfully eccentric knight from the eponymous novel by Miguel de Cervantes. Not only was this one of the world's first novels, it occurs to me that it may also be the first recorded example of medieval cosplay.
I love this passage near the beginning where Cervantes describes the Don's descent into madness due to excessive book consumption. "...and so from little sleep and much reading, his brain dried up and he lost his wits." Let this be a lesson to you, readers! ;-)
Acrylic on text scanned from 1976 Penguin Classics edition, translation by J.M.Cohen, ~4.5"x7.5"
Click to see all the sneaky D's!
Also folks, don't miss the giveaway drawing! Entries end at midnight on 12 July!
I love this passage near the beginning where Cervantes describes the Don's descent into madness due to excessive book consumption. "...and so from little sleep and much reading, his brain dried up and he lost his wits." Let this be a lesson to you, readers! ;-)
Acrylic on text scanned from 1976 Penguin Classics edition, translation by J.M.Cohen, ~4.5"x7.5"
Click to see all the sneaky D's!
Also folks, don't miss the giveaway drawing! Entries end at midnight on 12 July!
Labels:
Acrylic,
AlphaBooks,
Illustration Friday,
Leah Palmer Preiss,
Shiny
Thursday, June 7, 2012
Yearlings
Do any of you remember these oddments? They arrived for the very first post (in digital form) & now they've returned (in acrylic this time) for the anniversary party.
And in honor of the occasion, I'm having my first-ever giveaway drawing! There will be three prize-winners: first prize will win this original painting, plus a signed, archival oddment print of their choice. Second & third will each win a signed, archival oddment print of their choice. The first prize will be chosen from my pre-existing followers, while the other two will be from anyone who follows the blog, even if they join on the last day of the drawing. I'll choose the names one week from today (12 June 2012), & announce the winners on the 13th.
In order to be eligible for the drawing, just follow (if you don't already) & leave a comment below. And thank you all from the bottom of my heart for following, commenting, & making this odd year of oddments so much fun!
I still can't believe it has really been a full year. When I started, I gravely doubted whether I'd make it this far. (I was reminding my husband of my opening post, when I said "Because it's my birthday & I'm allowed to do as I like, I'm daring myself to post an odd little creature of some kind on every odd day until my next birthday, or until I go completely mad, whichever comes first!" His response: "Define completely!") :-D
I didn't manage to post on every single odd day-- computer trouble & other impediments held me up from time to time-- but I came a whole lot closer than I'd feared, & I enjoyed the experience even more than I'd hoped!
For the next little while, I'll be easing up on the schedule a bit, but I couldn't possibly stop altogether. In fact, soon I'll be announcing a special new project. I can say no more! ;-)
Acrylic on text scanned from A Thousand Ways to Please A Husband, 1917 (much less racy than it sounds-- it's essentially a recipe book with stories), ~5"x 6.5"
And in honor of the occasion, I'm having my first-ever giveaway drawing! There will be three prize-winners: first prize will win this original painting, plus a signed, archival oddment print of their choice. Second & third will each win a signed, archival oddment print of their choice. The first prize will be chosen from my pre-existing followers, while the other two will be from anyone who follows the blog, even if they join on the last day of the drawing. I'll choose the names one week from today (12 June 2012), & announce the winners on the 13th.
In order to be eligible for the drawing, just follow (if you don't already) & leave a comment below. And thank you all from the bottom of my heart for following, commenting, & making this odd year of oddments so much fun!
I still can't believe it has really been a full year. When I started, I gravely doubted whether I'd make it this far. (I was reminding my husband of my opening post, when I said "Because it's my birthday & I'm allowed to do as I like, I'm daring myself to post an odd little creature of some kind on every odd day until my next birthday, or until I go completely mad, whichever comes first!" His response: "Define completely!") :-D
I didn't manage to post on every single odd day-- computer trouble & other impediments held me up from time to time-- but I came a whole lot closer than I'd feared, & I enjoyed the experience even more than I'd hoped!
For the next little while, I'll be easing up on the schedule a bit, but I couldn't possibly stop altogether. In fact, soon I'll be announcing a special new project. I can say no more! ;-)
Acrylic on text scanned from A Thousand Ways to Please A Husband, 1917 (much less racy than it sounds-- it's essentially a recipe book with stories), ~5"x 6.5"
Tuesday, June 5, 2012
Speed Demon
Although I'm a fast walker, I'm a very slow painter. This blog has largely been an exercise in speeding up, letting go of some of my perfectionist & horror-vacui tendencies, & getting out of my own way. It's been a struggle (& to be honest, I'm still struggling) but I have learned an awful lot & had loads of fun.
And I can hardly believe it, but I'm coming down the home stretch! My next post (7 June 2012) will mark one year of oddments.* My, how those days hurried by!
Acrylic on text scanned from The Complete Instructor in Boxing, Swimming, Gymnastics, Pedestrianism, Horse Racing, Prize Fighting, Boat Raceing (sic) and Other Sports, 1881. The title is almost longer than the book. ;-)
* I'll be doing something special for the anniversary. Stay tuned!
And I can hardly believe it, but I'm coming down the home stretch! My next post (7 June 2012) will mark one year of oddments.* My, how those days hurried by!
Acrylic on text scanned from The Complete Instructor in Boxing, Swimming, Gymnastics, Pedestrianism, Horse Racing, Prize Fighting, Boat Raceing (sic) and Other Sports, 1881. The title is almost longer than the book. ;-)
* I'll be doing something special for the anniversary. Stay tuned!
Sunday, June 3, 2012
C is for Charlotte
Sadly, I don't feel this painting does her justice, but I've gone completely cross-eyed putting highlights on all those tiny dewdrops, so I give up!!
Acrylic on text scanned from a hardbound edition of uncertain date-- 1962 is my best guess-- with Photoshopical adjustments, ~ 5"x8"
p.s. I did try to throw in a few "C"s-- some clearer than others-- how many do u C?
Labels:
Acrylic,
AlphaBooks,
Charlotte,
Leah Palmer Preiss,
Spider,
Web
Friday, June 1, 2012
Jammin'
When I saw this week's IF prompt ("hurry") I thought about traffic jams. I don't enjoy driving, least of all in heavy traffic. Also, I think modern cars are needlessly boring. Wouldn't it be much more tolerable to be stuck in traffic if there were interesting vehicles to look at instead of a sea of clones?
Acrylic, ink & white gouache on c.1950 mileage report form, ~4.5" x 7"
Acrylic, ink & white gouache on c.1950 mileage report form, ~4.5" x 7"
Wednesday, May 30, 2012
Hi-Top
Do you remember the glory days of the Hi-Top Fade? For this guy they never ended!
Acrylic on used paintbrush, ~1"x 8"
Acrylic on used paintbrush, ~1"x 8"
Labels:
Acrylic,
Brushes,
character,
Faded,
Her Odd Materials,
Illustration Friday,
Leah Palmer Preiss
Sunday, May 27, 2012
B is for Bloom
In this scene Bloom discovers that he has forgotten his key & decides to scale a fence to get into his house without waking his wife. I had to contort poor Bloom quite a bit to make him into an admittedly wonky "B". But I imagine he had to contort himself too, to get over that railing!
Acrylic on text scanned from a 1961 Vintage edition, with a few Photoshopical interventions, ~8"x 8"
p.s My Bloom was loosely inspired by Joyce's own sketch.
Labels:
Acrylic,
AlphaBooks,
Bloom,
Joyce,
Leah Palmer Preiss,
Ulysses
Friday, May 25, 2012
Faded
When I saw Illustration Friday's prompt this morning, I thought of yesterday's gardening session-- not only the faded flowers I was deadheading, but the faded way I felt after excessive stooping, pulling weeds in the hot sun!
At first I thought it would be fun to do a stencil over colored paper & leave it in the garden to fade, but I realized that might take too long, so I decided to use bleach as my "ink" so as to fade the paper more quickly.
It was strange drawing with bleach, because the marks were almost invisible as I made them, developing over time in a mysterious & somewhat unpredictable way. It was almost like drawing "blind" actually, only I could see where to put the next line, if I waited long enough. Definitely not at all like drawing with white ink, despite the similar final effect.
If you try this, DO NOT use a treasured brush or nib, because the bleach will wreak major oxidative havoc with it. Even in the short time it took to do this sketch, the brand-new nib I'd loaded rusted out shockingly, & I had to keep wiping the rust off it to keep the lines light! Luckily I buy Hunt's 108 nibs by the dozen so I have plenty to spare.
Also, I'm pretty certain this process is not at all archival! But still, fun for an experiment.
Chlorine bleach on colored paper, ~2.5"x5"
At first I thought it would be fun to do a stencil over colored paper & leave it in the garden to fade, but I realized that might take too long, so I decided to use bleach as my "ink" so as to fade the paper more quickly.
It was strange drawing with bleach, because the marks were almost invisible as I made them, developing over time in a mysterious & somewhat unpredictable way. It was almost like drawing "blind" actually, only I could see where to put the next line, if I waited long enough. Definitely not at all like drawing with white ink, despite the similar final effect.
If you try this, DO NOT use a treasured brush or nib, because the bleach will wreak major oxidative havoc with it. Even in the short time it took to do this sketch, the brand-new nib I'd loaded rusted out shockingly, & I had to keep wiping the rust off it to keep the lines light! Luckily I buy Hunt's 108 nibs by the dozen so I have plenty to spare.
Also, I'm pretty certain this process is not at all archival! But still, fun for an experiment.
Chlorine bleach on colored paper, ~2.5"x5"
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